The only way to make sense of Dubai is to never forget that it isn’t real. It’s a fable, a fairy tale, like The Arabian Nights. More correctly, it’s a cautionary tale. Dubai is the story of the three wishes, where, as every kid knows, with the third wish you demand three more wishes. And as every genie knows, more wishes lead to more greed, more misery, more bad credit, and much, much, much more bad taste. Dubai is Las Vegas without the showgirls, the gambling, or Elvis. Dubai is a financial Disneyland without the fun. It’s a holiday resort with the worst climate in the world. It boils. It’s humid. And the constant wind is full of sand. The first thing you see when you arrive is the airport, with its echoing marble halls. It’s big enough to be the hub of a continent. Dubai suffers from gigantism—a national inferiority complex that has to make everything bigger and biggest. This includes their financial crisis.
Outside, in the sodden heat, you pass hundreds and hundreds of regimented palm trees and you wonder who waters them and what with. The skyline, in the dusty haze, looks like the cover of a dystopian science-fiction novella. Clusters of skyscrapers lurch out at the gray desert accompanied by their moribund cranes, propped up with scaffolding, swagged in plastic sheeting. Dubai thought it was going to grow up to be the Arab Singapore—a commercial, banking, and insurance service port on the Gulf with hospitality and footballers’ time-shares, an oasis of R&R for the less well endowed. But it hasn’t quite worked out. The vertical streets of offices are empty. A derelict skyscraper looks exactly the same as one that’s teeming with commerce. They huddle around the current tallest building in the world—a monument to small-nation penis envy. This pylon erected with the Viagra of credit is now a big, naked exclamation of Dubai’s fiscal embarrassment. It was going to be called Burj Dubai, but as Dubai was unable to make their payments, they were forced to go to their Gulf neighbor, head towel in hand, to get a loan. So now it’s called Burj Khalifa, after Abu Dhabi’s ruler, who coughed up $10 billion to its over-extended neighbor.
Dubai has been built very fast. The plan was money. The architect was money. The designer was money and the builder was money. And if you ever wondered what money would look like if it were left to its own devices, it’s Dubai.
Dubai is the parable of what money makes when it has no purpose but its own multiplication and grandeur. When the culture that holds it is too frail to contain it. Dubai is a place that doesn’t just know the price of everything and the value of nothing but makes everything worthless. The answer to everything in Dubai is money. In the darkness of the hot night, the motorways roar with Ferraris and Porsches and Lamborghinis; the fat boys are befuddled and stupefied by sports cars they race around on nowhere roads, going nowhere. Taxi drivers of their ambitionless, all-consuming entitlement. Shortchanged by being given everything. Cursed with money.
A A Gill in Vanity Fair. More Here.
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