A report in Technologyreview. HereA pacemaker that regulates the heart by wirelessly zapping it with pulses of ultrasound from outside the organ is currently undergoing human trials in Europe.
Conventional pacemakers stimulate the heart tissue via electrical leads that are fed into the heart through a vein. But leads can fail, requiring additional surgery to remove and replace them. The conventional approach also restricts where the therapeutic shock can be delivered.
The new device uses focused acoustic waves that are picked up by a small receiver implanted permanently inside the heart, converting the energy into electricity. Unlike radio waves, ultrasound can pass through tissue at high-enough energy levels without causing any heating.
"This represents a significant breakthrough, eliminating the lead in the heart," says Paul Skjefte, marketing strategist for EBR Systems, the company that created the pacemaker. The startup, based in Sunnyvale, California, was spun out of research by founder Debra Echt, a former professor of medicine and a cardiologist at Vanderbilt University.
Showing posts with label Technology. Show all posts
Showing posts with label Technology. Show all posts
Monday, December 05, 2011
A pacemaker without wires
Tuesday, May 17, 2011
IT Breaks free
DISTRUPTION: Technology is bursting out from the shackles of its desk-bound past. It has the power to disrupt business like never before.Nigel Kendall in Wall Street Journal. More Here
You might expect a Nokia executive to tell us the mobile industry will change the world. But Rich Green, chief technology officer at Nokia, makes a compelling case. "If you can change Egypt with 140 characters written on a four inch screen," he says, "what can you do with a PC substitute in one out of every four hands?" The revolution in mobile technology is just one form of disruption that will change profoundly the way the world does business in the future. But in all its varying guises, disruption was the number one rated topic by the Tech Leader Group.
Dr. Lynch's proposition is founded on meaning-based computing. "We are about to enter a period of extreme disruption again," he says. "The whole way things are done is going to change. There's always a difference in the technology world between positioning, where someone realizes that something is a good idea, and the reality of being able to do it. Now, technology has caught up with dealing with the real world.
"In social media at the moment, there's a lot of positioning going on. But the reality is to do with the scale of the information and the rate it's growing. You have to use technology that can actually understand meaning, which is very difficult for social media. The word 'wicked', for example, could appear in three different Tweets with a different meaning each time. The simplest way of explaining why this is so important is that all the changes in the history of IT have so far been about the T. What we are talking about is the first change of the I."
Thursday, April 28, 2011
Nuclear power can never be made safe, never.
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| Victims of Chernobyl |
With the ongoing disaster at the Fukushima nuclear plant in Japan, some people ask: can nuclear power be made safe? The answer is no. Nuclear power can never be made safe.
This was clearly explained by Admiral Hyman Rickover, the "father" of the U.S. nuclear navy and in charge of construction of the first nuclear power plant in the nation, Shippingport in Pennsylvania. Before a committee of Congress, as he retired from the navy in 1982, Rickover warned of the inherent lethality of nuclear power -- and urged that "we outlaw nuclear reactors."
The basic problem: radioactivity.
"I'll be philosophical," testified Rickover. "Until about two billion years ago, it was impossible to have any life on Earth; that is, there was so much radiation on earth you couldn't have any life -- fish or anything." This was from naturally-occurring cosmic radiation when the Earth was in the process of formation. "Gradually," said Rickover, "about two billion years ago, the amount of radiation on this planet ... reduced and made it possible for some form of life to begin."
"Now, when we go back to using nuclear power, we are creating something which nature tried to destroy to make life possible," he said. "Every time you produce radiation" a 'horrible force' is unleashed. By splitting the atom, people are recreating the poisons that precluded life from existing. "And I think there the human race is going to wreck itself," Rickover stated.
This was Rickover, a key figure in nuclear power history, not Greenpeace.
The problem is radioactivity -- unleashed when the atom is split. And it doesn't matter whether it's a General Electric boiling water reactor such as those that have erupted at Fukushima, or the Westinghouse pressurized water design, or Russian-designed plants like Chernobyl, or the "new, improved" nuclear plants being touted by U.S. Energy Secretary Steven Chu, a nuclear scientist and zealous promoter of nuclear technology. All nuclear power plants produce radiation as well as radioactive poisons like the Cesium-137, Iodine-131 and Strontium-90 that have been -- and continue to be -- spewed from the Fukushima plants.
Upon contact with life, these toxins destroy life. So from the time they're produced in a nuclear plant to when they're taken out as hotly radioactive "nuclear waste," they must be isolated from life -- for thousands, for some millions of years.
Karl Grossman in The Huffington Post. More Here
Wednesday, April 27, 2011
Typewriters are still romantic : Jonathan Glancey
Typewriters may have stopped rolling off the production line, but their mechanical chatter and precision components lend them an enduring enchantment.
"It was a dark and stormy night." The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work.
Jonathan Glancey in The Guardian. More Here
"It was a dark and stormy night." The image of Snoopy sitting on top of his kennel rattling out the opening of his latest bestseller on a typewriter is as familiar as it is cherished. It is also a delightful send-up of the archetypal would-be author at work.
Endearing, yes, but dated. Today, we learn that possibly the world's very last typewriter factory – in Mumbai – has closed. Although its typewriting business has been just one small portion of the Godrej & Boyce manufacturing empire, founded in 1897 by the lawyer and inventor Ardeshir Godrej, a spokesman has told the global media that "currently the company has just 500 machines left". Hurry while stocks last, as the imposing Prima model dating from the 1950s, now selling for about £160, is sure to become a sought-after classic of pre-digital design.
Or is it? There are now millions of people worldwide tapping away on keyboards who have never sat in front of a typewriter, much less written with one. The machine that gave us the modern open-plan office, with its rows of clerks and typists, can seem as outmoded as Polaroid and Instamatic cameras, Super 8 film, Kodachrome, hand looms and horse-drawn ploughs. And yet, although it is true that desktop and laptop computers and any number of handheld devices have effectively replaced the typewriter in everyday use, there are many people who prefer these miniature desktop printing presses.
Typewriters still hold a certain romance: something to do with the Mad Men charm of whisky bottles, green eyeshades, low office lighting, the mechanical chatter of keyboards, the ting of bells and the saw-like rasp and slap of carriages as they are whipped back hastily for the next line of copy to be churned out. And, alongside the image of Charles Schulz's Snoopy, there are haunting scenes from so many films in which the typewriter has played a powerful role. Think of Schindler's List, the list itself being typed up. Or Jack Nicholson sitting alone in an out-of-season mountain resort hotel typing that one line over and over – "All work and no play makes Jack a dull boy" – before he goes stark staring mad and takes an axe to his family in Stanley Kubrick's The Shining.
Jonathan Glancey in The Guardian. More Here
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